Jane Eaton Hamilton

"I cannot and will not cut my conscience to fit this year’s fashions.” – Lillian Hellman

Tag: Tanis MacDonald

There’s a reason we all love The Sun so much, and her name is Lucie Britsch

This great piece from The Sun today, compliments of Tanis MacDonald: a place where I am luckily twice-published. Read it, enjoy it, weep, fall in love with the work of Lucie Britsch.

Kids Today

 

Puritan Magazine publishes “rubber soul”

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Dear Friends, Editors, Writers, and Readers,

We are pleased to announce the launch of Issue 34: Issue 2016. This stellar edition features fiction and poetry chosen by our special guest summer editors for 2016: novelist and short-story writer Kathryn Kuitenbrouwer and poet Dr. Sonnet L’Abbé. As always, the issue boasts lit-centric non-fiction (essays, reviews, and interviews) that set the bar for long-form writing about books and book culture in Canada.

Guest fiction editor Kathryn Kuitenbrouwer brings us seven prose writers who are all, according to the editor, unafraid to be weird—and refreshingly, bravely so. Read Kuitenbrouwer’s introduction, “Weird!,” where she reveals all the “odd, hidden nooks and crannies” of her taste in short fiction. Both The Puritan and Kuitenbrouwer are pleased to present writers Heather Birrell, Ellen van Neerven, Trish Salah, Sarah Maria Medina, Nehal El-Hadi, M.W. Johnston, and Khalida Venus Hassan.

Our guest poetry editor Dr. Sonnet L’Abbé has selected a fine collection of poems from writers both established and still new to publishing. Start with her introduction—“A Space for the Aggro”—in which she commends the way these poets “are plumbing, in the personal way only poetry can, the angry and aggro energies that seem to dominate this global cultural moment.” Those poets are: George Murray, Stevie Howell, John Wall Barger, Barry Dempster, Tanis MacDonald, Jane Eaton Hamilton, Kyle Kinaschuk, Maria Matuscak, Nicole Chin, Steven Artelle, Jake Byrne, Lauren Marshall, Natalie Wee, Lorin Medley, and Jill Talbot.

The issue continues with non-fiction, starting with two essays. In “Punching Like a Girl,” Krista Foss writes a gripping, hair-raising reflection on violence, propriety, gender, and rage, and in “Comparative Zoology,” Sunny Chan brings us a funny, searching tour of infograpic history, animal encyclopedias, and libraries, seen through the distorting and sweetening lens of nostalgia.

Then we’re on to interviews. The first is a three-part, nineteen-inning investigation of Andrew Forbes’ *The Utility of Boredom* (Invisible Publishing, 2016)—and of baseball, its boring lows and knuckle-whitening highs altogether—by Myra Bloom, Ted Nolan, and Joseph Thomas. The next is Meghan Harrison’s double interview with Dave D D Miller (“The Derby Nerd”) and Monica “Monichrome” Mitchell-Taylor—two major personalites in the world of flat track roller derby in Canada—on derby’s evolution and its pointed parallels to literature and other forms of pop culture. Third, we bring you “An Elegiac Conversation” between the mysterious artists ‘Grant Stonehouse’ and ‘Len Carey,’ as curated by writer Michael Trussler: a fascinating exchange that, we can promise, is not what it seems.

We end this issue, as always, with smart and engaged reviews of recent literary titles. Explore “LOLing with Claws,” Brecken Hancock’s take on Liz Howard’s *Infinite Citizen of the Shaking Tent* (McClelland & Stewart Poetry, 2015), “War without a Name,” Amanda Sarasien’s review of Mercè Rodoreda’s *War, So Much War* (Open Letter Books, 2015), “Solo Protests Against Solitude,” Myra Bloom’s thoughts on Steven Heighton’s *The Waking Comes Late* (House of Anansi Press, 2016), and, last but not least, “Pragmatic Complications of Perfections,” Aaron Boothby’s look at Klara Du Plessis’s chapbook *Wax Lyrical* (Anstruther Press, 2015).

We’re still reading submissions to Issue 35: Fall 2016 of The Puritan, and to our writing contest, the Fifth Annual Thomas Morton Memorial Prize in Literary Excellence, judged by Rawi Hage and Jan Zwicky. It’s the writing competition that awards publication, celebration at Black Friday, $1,000 cash, and approximately $1,700 worth of books, donated from 35 Canadian presses, to each of our two winners. There’s still a whole month to enter, so please don’t be shy about those submissions! Visit our submissions page for more details.

That’s all for now. Enjoy the new issue, and share widely!

Glad Day Books Nov 20

Join me and all these fabulous women reading at Glad Day Books in Toronto November 20.

JEH-TORONTO Glad Day poster

NaPoWriMo

I’ve never participated in any writing intensives, but this month I have been writing a poem every day for National Poetry Month.  It’s been fun experimenting at the edge of form and from intriguing prompts.   I would never have written these poems otherwise.  I have written on the Tar Sands, on being given up for dead as a 2-year-old, about being in NYC for Hurricane Sandy, about a magician on the metro in Paris, a poem made up of ten lies, a poem to something inanimate, and so on.  Catch the New York School prompt, below, for a great example of what we’ve been challenged with.

The other terrific part has been participating as a group member with 17 extremely talented Canadian poets–their support has been invaluable, their talent and skill breath-taking.  To read their work day after day?  Priceless.  (For everything else, there’s MC.)

This challenge has been completely and utterly exhausting.  I will be glad when it’s over next week.  Really, really glad.

To quote Thom Donovan, whose guidelines we used for the New York School poem:

“It is a “recipe” or constraint of sorts for writing a New York School poem (my class read James Schuyler, Bernadette Mayer, Charles Bernstein, and Dorothea Lasky—a heterodox selection, I realize; and listened to Eileen Myles, Schuyler, Robert Creeley, and Ron Padgett via PennSound).

“Students were encouraged to use as many of the following “ingredients” as possible:

  1. at least one addressee (to which you may or may not wish to dedicate your poem)
  2. use of specific place names and dates (time, day, month, year)–especially the names of places in and around New York City
  3. prolific use of proper names
  4. at least one reminiscence, aside, digression, or anecdote
  5. one or more quotations, especially from things people have said in conversation or through the media
  6. a moment where you call into question at least one thing you have said or proposed throughout your poem so far
  7. something that sounds amazing even if it doesn’t make any sense to you
  8. pop cultural references
  9. consumer goods/services
  10. mention of natural phenomena (in which natural phenomena do not appear ‘natural’)
  11. slang/colloquialism/vernacular/the word “fuck”
  12. at least one celebrity
  13. at least one question directed at the addressee/imagined reader
  14. reference to sex or use of sexual innuendo
  15. the words “life” and “death”
  16. at least one exclamation/declaration of love
  17. references to fine art, theater, music, or film
  18. mention of genitals and body parts
  19. food items
  20. drug references (legal or illegal)
  21. gossip
  22. mention of sleep or dreaming
  23. use of ironic overtones”

NaPoWriMo

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